
The nagging feeling of an itch, it just doesn't go away until you give into its urge. It demands our attention and response on a timely manner. But what if you are unable to locate this itch, let alone define it? You may be very aware that it is there, but what if you couldn't pin point it's exact location? Perhaps you can find it, but the scratching itself is not helping, but in fact, it is making it worse.
This is the best way I can describe the ways in which I engage the Bible. Hermeneutics (The way we apply the Bible) has always left me with a shallow feeling, an itch that has not been satisfied. I could never pin point the problem. Instead I was left scratching all over in hope for some relief. I was struggling to even identify the problem let alone work toward anything that resembled any solutions.
I received "The Bible as Improv; Seeing and Living the Script in New Ways", by Ron Martoia from Zondervan to review. I had high expectations after reading Martoia's last book Transformational Architecture. Not to long after beginning the book, I knew I was on to something special.
What Martoia does so well here is that he identifies the "itch". He sheds light on some of the ways that we have tried to engage the Bible, while also illuminating new ways to apply it. Martoia appreciates the grand narrative of God and his creation. He points to the problematic attempts to pull truths out of context only to really mess things up when we try to apply it to our lives. He reminds us that the Bible is a collection of a specific people within a specific history trying to make sense of what it means to be children of God. For us to neglect this when we read the Bible is tragic.
Luckily, Ron Martoia also points us in the direction for authentic engagement with the Bible. If the Bible points us to God's sweeping narrative, then Martoia proposes that we need to immerse ourselves with in "script-ure" and improv with in our own context what it means to follow Christ. Martoia makes some fantastic metaphors using the idea of musical and theatre improv. In both situations you must attempt to stay true to the structure of the musical piece or play, but still faithfully improv so that you are moving the song or story forward.
If you find yourselves with an "itch" when you engage the Bible, I would highly recommend this book. I have truly found hope within the possibility of faithful improv of "script-ure" within my community and in my context. My hope is that many more will read this book, embrace this new hope. "The Bible as Improv" is truly an itch worth scratching.
- Dan Jones